For more than a quarter century, director Kevin Smith has tried to resurrect “Dogma,” his religious satire about two fallen angels looking to get back into heaven. Recently, his prayers for the 1999 comedy were finally answered.
On Thursday, the movie got a theatrical re-release across 1,500 AMC Theatres screens in honor of its 25th anniversary. Technically, the milestone was last year. But the second coming of a movie that brought us one of Ben Affleck and Matt Damon’s best on-screen collaborations and an A-list comedic ensemble — including George Carlin, Chris Rock, Janeane Garofalo and Alan Rickman — not to mention the meme-worthy, winking “Buddy Christ,” warrants a long-awaited hallelujah.
“It’s got a good legacy to it,” Smith said of the film. “It’s become the ‘umbrella film’ for me. The umbrella film is the movie that no matter what you do, even if you make s— that people don’t like, they won’t crucify you — pun intended — because you made a movie that they like.”
“To me, it plays like a kid really trying to celebrate his faith after having grown up in a church where every Sunday, everyone seemed to be mourning it. … It’s a love letter to spirituality,” Kevin Smith said about “Dogma.”
(Jason Armond / Los Angeles Times)
Though the sparkling period of Smith’s career is largely defined by 1994’s “Clerks” and 1997’s “Chasing Amy,” his fourth film, “Dogma,” steeped in irreverence and hilarity centered around his former Catholic faith, is still considered one of his classics. The movie debuted at Cannes in 1999. He returned to the renowned film festival last month, when the comedy played in the Cannes Classics section, just days before sitting down with The Times on camera to discuss “Dogma’s” whirlwind re-release. In the interview, the director, writer and actor recounts how the movie was saved by filmmaker and actor Alessandra Williams, who raised money to buy the film from Miramax earlier this year, decades after it was acquired and shelved by disgraced producer Harvey Weinstein. Weinstein sold Smith’s film, along with a trove of others, to Williams to help pay for his legal defense, Smith said.
In collaboration with Iconic Events, the film has since been remastered in 4K for its screening tour and is being shown in select AMC theaters. Smith is well-seasoned when it comes to touring his old films, pairing the screenings with Q&As and stand-up performances throughout the live presentations. It took little time for him to book a sold-out, 20-city tour aimed at getting fans fired up to come see “Dogma” once again under much different (and safer) circumstances.
“Even with getting people aware of the movie this time around, it’s not as fraught with peril as it was back in the day,” Smith said, referring to the death threats, protests and 400,000 pieces of hate mail he said the movie garnered from Christian extremists who denounced what they believed to be the film’s mockery of their faith.
“You Jews better take that money you stole from us and start investing in flak jackets,” Smith said while closing his eyes and reciting one of the letters from memory. “We’re coming because we’re coming in there with shotguns. Signed, Your Brothers in Christ.”
Though the controversy of the film has definitely waned, the inspiration behind the film remains steadfast, Smith said. “To me, it plays like a kid really trying to celebrate his faith after having grown up in a church where every Sunday, everyone seemed to be mourning it. So I think [people hopefully see it] for what it is. It’s a love letter to spirituality.”
For more than a quarter century, director Kevin Smith has tried to resurrect “Dogma,” his religious satire about two fallen angels looking to get back into heaven. Recently, his prayers for the 1999 comedy were finally answered.
On Thursday, the movie got a theatrical re-release across 1,500 AMC Theatres screens in honor of its 25th anniversary. Technically, the milestone was last year. But the second coming of a movie that brought us one of Ben Affleck and Matt Damon’s best on-screen collaborations and an A-list comedic ensemble — including George Carlin, Chris Rock, Janeane Garofalo and Alan Rickman — not to mention the meme-worthy, winking “Buddy Christ,” warrants a long-awaited hallelujah.
“It’s got a good legacy to it,” Smith said of the film. “It’s become the ‘umbrella film’ for me. The umbrella film is the movie that no matter what you do, even if you make s— that people don’t like, they won’t crucify you — pun intended — because you made a movie that they like.”
“To me, it plays like a kid really trying to celebrate his faith after having grown up in a church where every Sunday, everyone seemed to be mourning it. … It’s a love letter to spirituality,” Kevin Smith said about “Dogma.”
(Jason Armond / Los Angeles Times)
Though the sparkling period of Smith’s career is largely defined by 1994’s “Clerks” and 1997’s “Chasing Amy,” his fourth film, “Dogma,” steeped in irreverence and hilarity centered around his former Catholic faith, is still considered one of his classics. The movie debuted at Cannes in 1999. He returned to the renowned film festival last month, when the comedy played in the Cannes Classics section, just days before sitting down with The Times on camera to discuss “Dogma’s” whirlwind re-release. In the interview, the director, writer and actor recounts how the movie was saved by filmmaker and actor Alessandra Williams, who raised money to buy the film from Miramax earlier this year, decades after it was acquired and shelved by disgraced producer Harvey Weinstein. Weinstein sold Smith’s film, along with a trove of others, to Williams to help pay for his legal defense, Smith said.
In collaboration with Iconic Events, the film has since been remastered in 4K for its screening tour and is being shown in select AMC theaters. Smith is well-seasoned when it comes to touring his old films, pairing the screenings with Q&As and stand-up performances throughout the live presentations. It took little time for him to book a sold-out, 20-city tour aimed at getting fans fired up to come see “Dogma” once again under much different (and safer) circumstances.
“Even with getting people aware of the movie this time around, it’s not as fraught with peril as it was back in the day,” Smith said, referring to the death threats, protests and 400,000 pieces of hate mail he said the movie garnered from Christian extremists who denounced what they believed to be the film’s mockery of their faith.
“You Jews better take that money you stole from us and start investing in flak jackets,” Smith said while closing his eyes and reciting one of the letters from memory. “We’re coming because we’re coming in there with shotguns. Signed, Your Brothers in Christ.”
Though the controversy of the film has definitely waned, the inspiration behind the film remains steadfast, Smith said. “To me, it plays like a kid really trying to celebrate his faith after having grown up in a church where every Sunday, everyone seemed to be mourning it. So I think [people hopefully see it] for what it is. It’s a love letter to spirituality.”
