Culture
‘Nuisance Bear’ review: Sad documentary about a changing ecosystem
We’re past due for dystopian storytelling to train its lens on a creature in the here and now, one whose...
‘Queen at Sea’ review: Binoche excels as concerned daughter
Early in “Queen at Sea,” there’s a sex scene. It’s brief and shows little, but the fleeting moment will inform...
Pamela Abdy feels rage after Warner Bros. exit, she says at WIF Honors
Lately, Pamela Abdy has been feeling “pure, unadulterated rage.”Abdy exited her role as co-chair and chief executive officer of Warner...
Fox owns Roku after $22-billion deal closes ahead of schedule
Fox Corp. has completed its $22-billion acquisition of Roku, transforming the Murdoch family’s company into a major player in the...
Poet Elizabeth Alexander on art, justice and leading the Mellon Foundation.
On the Shelf Signals Across Vast Distances: Essays and Tales By Elizabeth Alexander W. W. Norton & Co.: 144 pages,...
'Being Heumann' is about the euphoria of activism even if its uplift feels well-behaved
Siân Heder, filmmaker of the Oscar-winning "CODA," returns with another sincerely wrought story about the universal struggle for dignity and...
‘I Play Rocky’ review: Stallone’s saga is inspirational in itself
If you’re a certain age — say, the generation most excited by the prospect of a “Rocky” origin story —...
The Cat in the Hat’ review: Should be more fun than this
In 1957, Theodore Geisel, better known as Dr. Seuss, wrote “The Cat in the Hat” as an educational reading primer...
‘Godzilla Minus Zero’ review: Stomp, smash, sob, sob, sob
Takashi Yamazaki directs the best monster attacks in the multiplex: “Godzilla Minus Zero,” his follow-up to the 2023 period picture...
‘Mouse’ review: Sophie Okonedo toplines sensitive grief drama
Little Rock, Ark., 2002. Minnie (Katherine Mallen Kupferer) and Callie (Chloe Coleman) drive to their last day of junior year,...
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