Bilal on the 25th anniversary of his R&B classic ‘1st Born Second’

Twenty-five years ago, Grammy-winning singer Bilal released his debut album, “1st Born Second,” a seminal body of work that fearlessly weaves together the worlds of jazz, hip-hop and neo-soul for a sound that was fresh at the time and still holds up today. With the leading single “Soul Sista,” the album featured vocals from the likes of Common and Yasiin Bey along with production from Dr. Dre, Raphael Saadiq, the Soulquarians and the late J. Dilla.

Earlier this month, Bilal celebrated the anniversary of the album at the Blue Note in Hollywood with four sold-out shows. I caught up with him backstage before the first show on Night 1.

A couple months ago you popped out during Talib Kweli’s show at the Blue Note Los Angeles, but this is your first solo show here. How are you feeling?

It’s been nostalgic because I’m doing the 25th anniversary show here, so we’re doing music from my very first album. [As I’ve been] putting this show together, I’ve [been] listening back to that music so it just takes me back 25 years ago so it’s a funny feeling, but it’s cool. [Laughs]

You were 21 when you released your debut album, “1st Born Second.” What was going on in your world at that time?

When I released that album I was just a wild young kid who wanted to change music or bring my approach to the music. I had a lot of concepts coming from jazz school. I was like a college rebel kid. I hated everything. I was like a musical snob. I wouldn’t say a musical snob, but yeah, I was. [Laughs]

And that’s OK.

I was just very ambitious back then. I knew what I wanted to do as a musician and I was just very happy to be doing it.

I read that you used to challenge your teachers a lot in high school and college.

Oh yeah, man. I come from Philadelphia and I’ve been in front of people singing since I was 4 years old, so by the time my album came out, I was already like “I want to do this. I know how I want to do that. I want to be a producer. I want to get this done.” I already had music, materials and songs. So coming from a jazz standpoint, I had some strong opinions of who I wanted to be and music school was just my stepping stone — my way out of the house.

When you reflect on the impact of “1st Born Second,” how does it make you feel?

That it was an honest expression and it’s exactly what I wanted to do. I set out to make timeless music. One of my favorite musicians, especially around that time, was Miles Davis. I would read his autobiography all the time and his whole thing was affecting the music, affecting the listener, really approaching it to challenge the listener as well as challenging yourself. To make an affect in the world. So when I can hear it and everybody says, “I’m still checking this s— out now,” I’m just like wow. That’s what I wanted to do, make something that outlived me — really.

In 2024, you released two bodies of work: “Live at Glasshaus” and “Adjust Brightness,” which was your first album of new music in eight years. Why was this the right time and how did they each come together?

Everything came together naturally even from the live album. I was set to do something and when we were putting everything together, I started making phone calls that week. I knew Common would be in town because he was doing Broadway at the time. Then I called Rob [Glasper] and he was in town and we all were like ‘Let’s call Ahmir,’ [Questlove] and I was like [Crosses fingers] ‘cause I knew he was doing a show too over at the Fallon show. So we set up a time where everybody was free and made it happen. It was a natural, magical kind of a vibe.

In February, you were a part of a powerful tribute for late singer D’Angelo at the Grammys. How did it feel to be a part of that moment and to celebrate the legacy of someone you came up with?

It was surreal. I was outside of my body. As a kid I was always able to do that, so in those situations, I just jump out my body.

You seem like the type of artist who is always creating. Are you working on anything right now that we’ll be able to hear soon?

I kind of move naturally. I don’t try to force it, but I have been in a creative space so hopefully the creative gods pour into me sooner. But I don’t beg. Everything has to be natural.

I know you’ve taken up painting recently. Outside of music, what are some things that have been keeping you grounded and excited lately?

I’m a lover of mad stuff. I love books. I like history. I like philosophy and I’ve been getting into a lot of Zen meditations. Concepts about clearing the mind and being present. I also love kung fu. The concepts of everything, you know. I’m a Virgo.

Twenty-five years ago, Grammy-winning singer Bilal released his debut album, “1st Born Second,” a seminal body of work that fearlessly weaves together the worlds of jazz, hip-hop and neo-soul for a sound that was fresh at the time and still holds up today. With the leading single “Soul Sista,” the album featured vocals from the likes of Common and Yasiin Bey along with production from Dr. Dre, Raphael Saadiq, the Soulquarians and the late J. Dilla.

Earlier this month, Bilal celebrated the anniversary of the album at the Blue Note in Hollywood with four sold-out shows. I caught up with him backstage before the first show on Night 1.

A couple months ago you popped out during Talib Kweli’s show at the Blue Note Los Angeles, but this is your first solo show here. How are you feeling?

It’s been nostalgic because I’m doing the 25th anniversary show here, so we’re doing music from my very first album. [As I’ve been] putting this show together, I’ve [been] listening back to that music so it just takes me back 25 years ago so it’s a funny feeling, but it’s cool. [Laughs]

You were 21 when you released your debut album, “1st Born Second.” What was going on in your world at that time?

When I released that album I was just a wild young kid who wanted to change music or bring my approach to the music. I had a lot of concepts coming from jazz school. I was like a college rebel kid. I hated everything. I was like a musical snob. I wouldn’t say a musical snob, but yeah, I was. [Laughs]

And that’s OK.

I was just very ambitious back then. I knew what I wanted to do as a musician and I was just very happy to be doing it.

I read that you used to challenge your teachers a lot in high school and college.

Oh yeah, man. I come from Philadelphia and I’ve been in front of people singing since I was 4 years old, so by the time my album came out, I was already like “I want to do this. I know how I want to do that. I want to be a producer. I want to get this done.” I already had music, materials and songs. So coming from a jazz standpoint, I had some strong opinions of who I wanted to be and music school was just my stepping stone — my way out of the house.

When you reflect on the impact of “1st Born Second,” how does it make you feel?

That it was an honest expression and it’s exactly what I wanted to do. I set out to make timeless music. One of my favorite musicians, especially around that time, was Miles Davis. I would read his autobiography all the time and his whole thing was affecting the music, affecting the listener, really approaching it to challenge the listener as well as challenging yourself. To make an affect in the world. So when I can hear it and everybody says, “I’m still checking this s— out now,” I’m just like wow. That’s what I wanted to do, make something that outlived me — really.

In 2024, you released two bodies of work: “Live at Glasshaus” and “Adjust Brightness,” which was your first album of new music in eight years. Why was this the right time and how did they each come together?

Everything came together naturally even from the live album. I was set to do something and when we were putting everything together, I started making phone calls that week. I knew Common would be in town because he was doing Broadway at the time. Then I called Rob [Glasper] and he was in town and we all were like ‘Let’s call Ahmir,’ [Questlove] and I was like [Crosses fingers] ‘cause I knew he was doing a show too over at the Fallon show. So we set up a time where everybody was free and made it happen. It was a natural, magical kind of a vibe.

In February, you were a part of a powerful tribute for late singer D’Angelo at the Grammys. How did it feel to be a part of that moment and to celebrate the legacy of someone you came up with?

It was surreal. I was outside of my body. As a kid I was always able to do that, so in those situations, I just jump out my body.

You seem like the type of artist who is always creating. Are you working on anything right now that we’ll be able to hear soon?

I kind of move naturally. I don’t try to force it, but I have been in a creative space so hopefully the creative gods pour into me sooner. But I don’t beg. Everything has to be natural.

I know you’ve taken up painting recently. Outside of music, what are some things that have been keeping you grounded and excited lately?

I’m a lover of mad stuff. I love books. I like history. I like philosophy and I’ve been getting into a lot of Zen meditations. Concepts about clearing the mind and being present. I also love kung fu. The concepts of everything, you know. I’m a Virgo.

Twenty-five years ago, Grammy-winning singer Bilal released his debut album, “1st Born Second,” a seminal body of work that fearlessly weaves together the worlds of jazz, hip-hop and neo-soul for a sound that was fresh at the time and still holds up today. With the leading single “Soul Sista,” the album featured vocals from the likes of Common and Yasiin Bey along with production from Dr. Dre, Raphael Saadiq, the Soulquarians and the late J. Dilla.

Earlier this month, Bilal celebrated the anniversary of the album at the Blue Note in Hollywood with four sold-out shows. I caught up with him backstage before the first show on Night 1.

A couple months ago you popped out during Talib Kweli’s show at the Blue Note Los Angeles, but this is your first solo show here. How are you feeling?

It’s been nostalgic because I’m doing the 25th anniversary show here, so we’re doing music from my very first album. [As I’ve been] putting this show together, I’ve [been] listening back to that music so it just takes me back 25 years ago so it’s a funny feeling, but it’s cool. [Laughs]

You were 21 when you released your debut album, “1st Born Second.” What was going on in your world at that time?

When I released that album I was just a wild young kid who wanted to change music or bring my approach to the music. I had a lot of concepts coming from jazz school. I was like a college rebel kid. I hated everything. I was like a musical snob. I wouldn’t say a musical snob, but yeah, I was. [Laughs]

And that’s OK.

I was just very ambitious back then. I knew what I wanted to do as a musician and I was just very happy to be doing it.

I read that you used to challenge your teachers a lot in high school and college.

Oh yeah, man. I come from Philadelphia and I’ve been in front of people singing since I was 4 years old, so by the time my album came out, I was already like “I want to do this. I know how I want to do that. I want to be a producer. I want to get this done.” I already had music, materials and songs. So coming from a jazz standpoint, I had some strong opinions of who I wanted to be and music school was just my stepping stone — my way out of the house.

When you reflect on the impact of “1st Born Second,” how does it make you feel?

That it was an honest expression and it’s exactly what I wanted to do. I set out to make timeless music. One of my favorite musicians, especially around that time, was Miles Davis. I would read his autobiography all the time and his whole thing was affecting the music, affecting the listener, really approaching it to challenge the listener as well as challenging yourself. To make an affect in the world. So when I can hear it and everybody says, “I’m still checking this s— out now,” I’m just like wow. That’s what I wanted to do, make something that outlived me — really.

In 2024, you released two bodies of work: “Live at Glasshaus” and “Adjust Brightness,” which was your first album of new music in eight years. Why was this the right time and how did they each come together?

Everything came together naturally even from the live album. I was set to do something and when we were putting everything together, I started making phone calls that week. I knew Common would be in town because he was doing Broadway at the time. Then I called Rob [Glasper] and he was in town and we all were like ‘Let’s call Ahmir,’ [Questlove] and I was like [Crosses fingers] ‘cause I knew he was doing a show too over at the Fallon show. So we set up a time where everybody was free and made it happen. It was a natural, magical kind of a vibe.

In February, you were a part of a powerful tribute for late singer D’Angelo at the Grammys. How did it feel to be a part of that moment and to celebrate the legacy of someone you came up with?

It was surreal. I was outside of my body. As a kid I was always able to do that, so in those situations, I just jump out my body.

You seem like the type of artist who is always creating. Are you working on anything right now that we’ll be able to hear soon?

I kind of move naturally. I don’t try to force it, but I have been in a creative space so hopefully the creative gods pour into me sooner. But I don’t beg. Everything has to be natural.

I know you’ve taken up painting recently. Outside of music, what are some things that have been keeping you grounded and excited lately?

I’m a lover of mad stuff. I love books. I like history. I like philosophy and I’ve been getting into a lot of Zen meditations. Concepts about clearing the mind and being present. I also love kung fu. The concepts of everything, you know. I’m a Virgo.

Twenty-five years ago, Grammy-winning singer Bilal released his debut album, “1st Born Second,” a seminal body of work that fearlessly weaves together the worlds of jazz, hip-hop and neo-soul for a sound that was fresh at the time and still holds up today. With the leading single “Soul Sista,” the album featured vocals from the likes of Common and Yasiin Bey along with production from Dr. Dre, Raphael Saadiq, the Soulquarians and the late J. Dilla.

Earlier this month, Bilal celebrated the anniversary of the album at the Blue Note in Hollywood with four sold-out shows. I caught up with him backstage before the first show on Night 1.

A couple months ago you popped out during Talib Kweli’s show at the Blue Note Los Angeles, but this is your first solo show here. How are you feeling?

It’s been nostalgic because I’m doing the 25th anniversary show here, so we’re doing music from my very first album. [As I’ve been] putting this show together, I’ve [been] listening back to that music so it just takes me back 25 years ago so it’s a funny feeling, but it’s cool. [Laughs]

You were 21 when you released your debut album, “1st Born Second.” What was going on in your world at that time?

When I released that album I was just a wild young kid who wanted to change music or bring my approach to the music. I had a lot of concepts coming from jazz school. I was like a college rebel kid. I hated everything. I was like a musical snob. I wouldn’t say a musical snob, but yeah, I was. [Laughs]

And that’s OK.

I was just very ambitious back then. I knew what I wanted to do as a musician and I was just very happy to be doing it.

I read that you used to challenge your teachers a lot in high school and college.

Oh yeah, man. I come from Philadelphia and I’ve been in front of people singing since I was 4 years old, so by the time my album came out, I was already like “I want to do this. I know how I want to do that. I want to be a producer. I want to get this done.” I already had music, materials and songs. So coming from a jazz standpoint, I had some strong opinions of who I wanted to be and music school was just my stepping stone — my way out of the house.

When you reflect on the impact of “1st Born Second,” how does it make you feel?

That it was an honest expression and it’s exactly what I wanted to do. I set out to make timeless music. One of my favorite musicians, especially around that time, was Miles Davis. I would read his autobiography all the time and his whole thing was affecting the music, affecting the listener, really approaching it to challenge the listener as well as challenging yourself. To make an affect in the world. So when I can hear it and everybody says, “I’m still checking this s— out now,” I’m just like wow. That’s what I wanted to do, make something that outlived me — really.

In 2024, you released two bodies of work: “Live at Glasshaus” and “Adjust Brightness,” which was your first album of new music in eight years. Why was this the right time and how did they each come together?

Everything came together naturally even from the live album. I was set to do something and when we were putting everything together, I started making phone calls that week. I knew Common would be in town because he was doing Broadway at the time. Then I called Rob [Glasper] and he was in town and we all were like ‘Let’s call Ahmir,’ [Questlove] and I was like [Crosses fingers] ‘cause I knew he was doing a show too over at the Fallon show. So we set up a time where everybody was free and made it happen. It was a natural, magical kind of a vibe.

In February, you were a part of a powerful tribute for late singer D’Angelo at the Grammys. How did it feel to be a part of that moment and to celebrate the legacy of someone you came up with?

It was surreal. I was outside of my body. As a kid I was always able to do that, so in those situations, I just jump out my body.

You seem like the type of artist who is always creating. Are you working on anything right now that we’ll be able to hear soon?

I kind of move naturally. I don’t try to force it, but I have been in a creative space so hopefully the creative gods pour into me sooner. But I don’t beg. Everything has to be natural.

I know you’ve taken up painting recently. Outside of music, what are some things that have been keeping you grounded and excited lately?

I’m a lover of mad stuff. I love books. I like history. I like philosophy and I’ve been getting into a lot of Zen meditations. Concepts about clearing the mind and being present. I also love kung fu. The concepts of everything, you know. I’m a Virgo.